A photograph of a young Virginia Woolf with Clive Bell.
Pretty awesome picture. Yes yes yes.
Thoby went to open the door; in came Sydney-Turner; in came Bell; in came Strachey.
They came in hesitatingly, self-effacingly, and folded themselves up quietly in the corners of sofas. For a long time they said nothing. None of our old conversational openings seemed to do. Vanessa and Thoby and Clive, if Clive were there - for Clive was always ready to sacrifice himself in the cause of talk - would start different subjects. But they were almost always answered in the negative. “No”, was the most frequent reply. “No, I haven’t seen it”; “No, I haven’t been there.” Or simply, “I don’t know.” […] Then at last Vanessa, having said perhaps that she had been to some picture show, incautiously used the word “beauty”. At that, one of the young men would lift his head slowly and say, “It depends what you mean by beauty.” At once all our ears were pricked.
[…] From such discussions Vanessa and I got probably much the same pleasure that undergraduates get when they meet friends of their own for the first time. In the world of the Booths and the Maxses we were not asked to use our brains much. Here we used nothing else. And part of the charm of those Thursday evenings was that they were astonishingly abstract. […] The young men I have named had no ‘manners’ in the Hyde Park Gate sense. They criticised our arguments as severely as their own. They never seemed to notice how we were dressed or if we were nice looking or not. All that tremendous encumbrance of appearance and behaviour which George had piled upon our first years vanished completely. One had no longer to endure that terrible inquisition after a party - and be told, “You looked lovely.” Or, “You did look plain.” Or, “You must really learn to do your hair.” Or, “Do try not to look so bored when you dance.” Or, “You did make a conquest”, or, “You were a failure.” All this seemed to have no meaning or existence in the world of Bell, Strachey, Hawtrey and Sydney-Turner. In that world the only comment as we stretched ourselves after our guests had gone, was, “I must say you made your point rather well”; “I think you were talking rather through your hat.” It was an immense simplification.
V. Woolf / Old Bloomsbury.
From Carrington’s letters:
1922
[Clive Bell had criticized Bernard Shaw in the New Republic in a way that Carrington thought unjustified. She therefore got Ralph to type the following letter which she signed.]
To Clive Bell
10 Adelphi Terrace, London
Dear Clive Bell, Thank you for the numerous compliments you have paid me in this weeks’ New Republic. I am sorry I cannot return the compliment that I think you, or your prose, ‘Perfectly respectable.’
In my young days a ‘taxicab’ was a name given only to aged whores, ugly as Shaftesbury Avenue.
You do not, it would appear, lead a very enviable aesthetic life; to me it seems dull.
Yours, Bernard Shaw
[Clive was completely taken in although a moment’s reflection would have shown him that taxicabs were unknown in Bernard Shaw’s young days. He therefore wrote a letter to Shaw getting in reply a postcard saying he had never written to him.]
To Lytton Strachey
February 15th, 1922
The Mill House, Tidmarsh
Dearest Lytton, Thank you so much for your letter. We shrieked with laughter under our canopy of blue very often as we read it… Especially about Clive and Shaw’s letters. Really he was a greenhorn. Did it never occur to him Bernard Shaw wasn’t likely to type the address on his note paper? Perhaps he does. Perhaps God inspired me, and the first letter was the image of the second! Poor Shaw I wonder what he thought of Clive’s apologies! ‘Clive Bell completely ga-ga. Never wrote him a letter in my life.’ I see a new aspect: a new avenue in life now! Forgery between lovers, enemies, dukes and duchesses.
Yr devoted Carrington
An Excellent arrangement is now made. Maynard and Sheppard are to live in Clive’s house and we take 3 Gower Street for nine months. Katherine and Murry will live in the Bottom floor, Brett on the second, and I in the attics. But my rent will only be nine pounds a year!!! So what affluence I shall have for Hotel life!!! I shall like living with Katherine I am sure - Murry has a job at the War Office.
Dora Carrington in a letter to Lytton Strachey, 6 Sept 1916
*
I had no idea these guys shared a house, how exciting!
Duncan Grant remembers Bloomsbury and the Dreadnought Hoax
This will put a smile on your face.
Clive Bells remembers Lytton Strachey.
After lunch, as we watched the rain pour down and the premature darkness roll up, he said, in his searching personal way, “Lovers apart, who would you like to see coming up the drive?” I hesitated a moment and he supplied the answer. “Virginia, of course.”
(BBC/British Library)
Roger Fry, Clive Bell, Duncan Grant, Lytton Strachey, Saxon Sydney-Turner and Vanessa Bell at Asheham House, September 1913.
Where they seem to me to triumph is in having worked out a view of life which was not by any means corrupt or sinister or merely intellectual; rather ascetic and austere indeed; which still holds, and keeps them dining together, and staying together, after 20 years; and no amount of quarelling or success, or failure has altered this. Now I do think this rather creditable. But tell me, who is Bloomsbury in your mind?
Virginia Woolf, in a letter to Gwen Raverat. 1st May 1925.
How do we exist, save on the lips of our friends?
Virginia Woolf, in a letter to Molly MacCarthy. 11th June 1939.